THE REPRESENTATION OF THE NATO BOMBING OF YUGOSLAVIA IN FOREIGN ARTISTIC AND MASS MEDIA TEXTS: UNJUSTIFIED WAR OR JUSTIFIED INTERVENTION?

Authors

DOI:

https://doi.org/10.22190/TEME191114027M

Keywords:

NATO bombing of FRY, arts and media, memory studies, German press, humanitarian interventions

Abstract

In addition to scientific and historical accounts, artistic and media texts also construct stories of significant events, thus constructing ideologically charged narratives of present and past events. These narratives can become official versions of the past that shape collective memory and identity. Unlike history books, which are written with a greater time distance, media and artistic texts directly influence the formation of narratives about current events and therefore the self-confidence and self-understanding of the collective. Based on an interest in the question of how identity is formed in today's Serbia, this article deals with media and artistic texts that speak about one of the most significant events in Serbia’s recent history - the NATO bombing of the Federal Republic of Yugoslavia. Opinions about this event are divided, and the totality of information about the bombing seems unknowable. To establish a more objective approach to this issue, the images of the bombing created by foreign media and artists are analyzed from the point of view of Memory Studies and through theories of arts and media (Assmann, Hartman, Felman, Laub, Kuljić), primarily using content and linguistic discourse analysis (Foucault, Spitzmüller, Warnke). The analysis has shown that most of the analyzed media texts justify the bombing, while all artworks criticize and condemn it. This has led us to the conclusion that that the bombing wasn’t justified, and that media texts on the subject served as political propaganda. In other words, artistic texts have a greater potential for social and political criticism than the media.

Author Biography

  • Nina Mihaljinac, Faculty of Contemporary Arts, University of art in Belgrade, Serbia

    Nina Mihaljinac is an assistant professor at the Faculty of Dramatic Arts in Belgrade and a lecturer at the UNESCO Chair in Cultural Policy and Management, University of Arts Belgrade in the field of cultural policy and management. She works as a researcher, lecturer, trainer and manager in the field of culture in Serbia and internationally. She has published numerous papers in the field of cultural policy, art theory, cultural studies, cultural management, cultural diplomacy, among others for publishers like Sage and Palgrave Macmillan. The latest book Art and Memory Policies: Trauma 1999 (Clio, FDU, 2018) deals with the culture of remembrance in Serbia and the representation of NATO bombing of Yugoslavia in visual arts.

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Published

2021-10-26

Issue

Vol. XLV, No 2, 2021

Section

Članci